diff --git a/activities/publications/content.json b/activities/publications/content.json
index d52e2ef..f3a9faf 100644
--- a/activities/publications/content.json
+++ b/activities/publications/content.json
@@ -1,9 +1,7 @@
{
- "n.d.": [
- "Genevi\u00e8ve Gates-Panneton. n.d. \u201cSalzinnes and Digital Tools.\u201d"
- ],
"2025": [
- "Burt, Lauren A, Liam T Pond, Annabel R Bugbird, David A Hanley, and Steven K Boyd. 2025. \u201cCanadian Adult Reference Data for Body Composition, Trabecular Bone Score and Advanced Hip Analysis Using DXA.\u201d Journal of Clinical Densitometry 28 (1): 101535."
+ "Burt, Lauren A, Liam T Pond, Annabel R Bugbird, David A Hanley, and Steven K Boyd. 2025. \u201cCanadian Adult Reference Data for Body Composition, Trabecular Bone Score and Advanced Hip Analysis Using DXA.\u201d Journal of Clinical Densitometry 28 (1): 101535.",
+ "Saini, Vinay, Liam Pond, Jackson Uhryn, Albert Kalayil, Aditya Tomar, Kasimuthmaniyan Subramanian, Milana Trifkovic, and Philip Egberts. 2025. \u201cShear-Dependent Tribological Behavior of Oleic Acid as a Sustainable Lubricant Additive in Oils and Nano-Greases.\u201d Wear, 205932."
],
"2024": [
"Abid, Noor, Liam Pond, and Svetlana Yanushkevich. 2024. \u201cCausality Exploration in Modeling Engineering Student Satisfaction.\u201d In 2024 IEEE Global Engineering Education Conference (EDUCON), 1\u201310. IEEE.",
@@ -11,16 +9,16 @@
"Bain, Jennifer, and Anna de Bakker. 2024. \u201cTraces of Liturgy: Analysing Manuscript Fragments from the Binding of the Riesencodex.\u201d Fragmentology 7:9\u201351.",
"Bouressa, Kyrie Ekaterina and Ichiro Fujinaga. 2024. \u201cMusical Instrument Encoding Matters.\u201d In Proceedings of the Music Encoding Conference. Denton, TX. https://doi.org/10.17613/g587-jh48.",
"Ichiro Fujinaga, Anna de Bakker, Andrew Hankinson, Dylan Hillerbrand, and Laurent Pugin. 2024a. \u201cLinkedNeumes: The Making of Cantus Ultimus.\u201d In . Granada, Spain.",
- "Ichiro Fujinaga, Anna de Bakker, Andrew Hankinson, Dylan Hillerbrand, and Laurent Pugin. 2024b. \u201cUsing Optical Music Recognition in Search of Early European Music.\u201d In Actes Des Journ\u00e9es d\u2019Informatique Musicale, 257\u201363. Marseille, France. https://cloud.prism.cnrs.fr/index.php/s/8aX4YaDXArst2xQ.",
- "Shaojun Si. 2024. \u201cA Review of the New Ideas and Methods of Music Communication in the New Media Era.\u201d In Chinese Music. Vol. 6. Chinese Social Sciences Citation Index (CSSCI)."
+ "Shaojun Si. 2024. \u201cA Review of the New Ideas and Methods of Music Communication in the New Media Era.\u201d In Chinese Music. Vol. 6. Chinese Social Sciences Citation Index (CSSCI).",
+ "Ichiro Fujinaga, Anna de Bakker, Andrew Hankinson, Dylan Hillerbrand, and Laurent Pugin. 2024b. \u201cUsing Optical Music Recognition in Search of Early European Music.\u201d In Actes Des Journ\u00e9es d\u2019Informatique Musicale, 257\u201363. Marseille, France. https://cloud.prism.cnrs.fr/index.php/s/8aX4YaDXArst2xQ."
],
"2023": [
"Acquilino, Alberto, Ninad Puranik, Ichiro Fujinaga, and Gary P Scavone. 2023b. \u201cA Dataset and Baseline for Automated Assessment of Timbre Quality in Trumpet Sound.\u201d In Proceedings of the International Society for Music Information Retrieval Conference, 684\u201391. Milan, Italy.",
"Acquilino, Alberto, Ninad Puranik, Ichiro Fujinaga, and Gary Scavone. 2023a. \u201cDetecting Efficiency in Trumpet Sound Production: Proposed Methodology and Pedagogical Implications.\u201d In Proceedings of the Stockholm Music Acoustics Conference, 72\u201379. Stockholm, Sweden.",
"Castellanos, Francisco J, Antonio Javier Gallego, and Ichiro Fujinaga. 2023a. \u201cA Few-Shot Neural Approach for Layout Analysis of Music Score Images.\u201d In Acquilino, Alberto, Ninad Puranik, Ichiro Fujinaga, and Gary P Scavone. 2023. \u201cA Dataset and Baseline for Automated Assessment of Timbre Quality in Trumpet Sound.\u201d In Proceedings of the International Society for Music Information Retrieval Conference, 684\u201391. Milan, Italy., 106\u201313. Milan, Italy.",
- "Castellanos, Francisco J, Antonio Javier Gallego, and Ichiro Fujinaga. 2023b. \u201cA Preliminary Study of Few-Shot Learning for Layout Analysis of Music Scores.\u201d In Proceedings of the 5th International Workshop on Reading Music Systems, edited by Jorge Calvo-Zaragoza, Alexander Pacha, and Elona Shatri, 44\u201348. Milan, Italy. https://doi.org/10.48550/arXiv.2311.04091.",
"Fujinaga, Ichiro, and Gabriel Vigliensoni. 2023. \u201cOptical Music Recognition Workflow for Medieval Music Manuscripts.\u201d In Proceedings of the 5th International Workshop on Reading Music Systems, edited by Jorge Calvo-Zaragoza, Alexander Pacha, and Elona Shatri, 4\u20136. Milan, Italy. https://doi.org/10.48550/arXiv.2311.04091.",
- "McKay, Cory, Julie Cumming, and Ichiro Fujinaga. 2023. \u201cRhythmic, Melodic and Vertical N-Gram Features as a Means of Studying Symbolic Music Computationally.\u201d In Annual International Conference of the Alliance of Digital Humanities, edited by Anne Baillot, Toma Tasovac, Walter Scholger, and Georg Vogeler, 187\u201388. Graz, Austria. https://doi.org/10.5281/ZENODO.8107739."
+ "McKay, Cory, Julie Cumming, and Ichiro Fujinaga. 2023. \u201cRhythmic, Melodic and Vertical N-Gram Features as a Means of Studying Symbolic Music Computationally.\u201d In Annual International Conference of the Alliance of Digital Humanities, edited by Anne Baillot, Toma Tasovac, Walter Scholger, and Georg Vogeler, 187\u201388. Graz, Austria. https://doi.org/10.5281/ZENODO.8107739.",
+ "Castellanos, Francisco J, Antonio Javier Gallego, and Ichiro Fujinaga. 2023b. \u201cA Preliminary Study of Few-Shot Learning for Layout Analysis of Music Scores.\u201d In Proceedings of the 5th International Workshop on Reading Music Systems, edited by Jorge Calvo-Zaragoza, Alexander Pacha, and Elona Shatri, 44\u201348. Milan, Italy. https://doi.org/10.48550/arXiv.2311.04091."
],
"2022": [
"De Reuse, Timothy, and Ichiro Fujinaga. 2022. \u201cA Transformer-Based\" Spellchecker\" for Detecting Errors in OMR Output.\u201d In Proceedings of the International Society for Music Information Retrieval Conference, 789\u201396. Bangaluru, India.",
@@ -38,17 +36,16 @@
"Desmond, Karen, Emily Hopkins, Samuel Howes, and Julie E. Cumming. 2020. \u201cComputer-Aided Analysis of Sonority in the French Motet Repertory, c. 1300-1350.\u201d Music Theory Online 26 (4): 26.4.2.",
"Ju, Yaolong, Sylvain Margot, Cory McKay, Luke Dahn, and Ichiro Fujinaga. 2020. \u201cAutomatic Figured Bass Annotation Using the New Bach Chorales Figured Bass Dataset.\u201d In Proceedings of the International Society for Music Information Retrieval Conference, 640\u201346.",
"Ju, Yaolong, Sylvain Margot, Cory McKay, and Ichiro Fujinaga. 2020a. \u201cAutomatic Chord Labelling: A Figured Bass Approach.\u201d In 7th International Conference on Digital Libraries for Musicology, 27\u201331. DLfM 2020. New York, NY: Association for Computing Machinery. https://doi.org/10.1145/3424911.3425513.",
- "Ju, Yaolong, Sylvain Margot, Cory McKay, and Ichiro Fujinaga. 2020b. \u201cFigured Bass Encodings for Bach Chorales in Various Symbolic Formats: A Case Study.\u201d In Music Encoding Conference Proceedings 26-29 May, 2020, 71\u201373. Tufts University, Boston. https://hcommons.org/deposits/item/hc:31943.",
"N\u00e1poles L\u00f3pez, N\u00e9stor, Laurent Feisthauer, Florence Lev\u00e9, and Ichiro Fujinaga. 2020. \u201cOn Local Keys, Modulations, and Tonicizations: A Dataset and Methodology for Evaluating Changes of Key.\u201d In International Conference on Digital Libraries for Musicology, 18\u201326. Montr\u00e9al, QC: Association for Computing Machinery. https://doi.org/10.1145/3424911.3425515.",
"N\u00e1poles L\u00f3pez, N\u00e9stor, and Ichiro Fujinaga. 2020. \u201cHarmalysis: A Language for the Annotation of Roman Numerals in Symbolic Music Representations.\u201d In Music Encoding Conference Proceedings 26-29 May, 2020, 83\u201385. Tufts University, Boston. https://hcommons.org/deposits/item/hc:31951.",
"Regimbal, Juliette, Gabriel Vigliensoni, Caitlin Hutnyk, and Ichiro Fujinaga. 2020. \u201cIIIF-Based Lyric and Neume Editor for Square-Notation Manuscripts.\u201d In Music Encoding Conference Proceedings 26-29 May, 2020, 15\u201318. Tufts University, Boston. http://dx.doi.org/10.17613/d41w-n008.",
"Tard\u00f3n, Lorenzo J., Isabel Barbancho, Ana M. Barbancho, and Ichiro Fujinaga. 2020. \u201cAutomatic Staff Reconstruction within SIMSSA Project.\u201d Applied Sciences 10:2468.",
"Thomae, Martha E., Antonio R\u00edos-Vila, Jorge Calvo-Zaragoza, David Rizo, and Jose M. I\u00f1esta. 2020. \u201cRetrieving Music Semantics from Optical Music Recognition by Machine Translation.\u201d In Music Encoding Conference Proceedings 26-29 May, 2020, 19\u201324. Tufts University, Boston. http://dx.doi.org/10.17613/605z-nt78.",
- "Upham, Finn, and Julie Cumming. 2020. \u201cAuditory Streaming Complexity and Renaissance Mass Ordinary Cycles.\u201d Empirical Musicology Review 15 (3\u20134): 202\u201322."
+ "Upham, Finn, and Julie Cumming. 2020. \u201cAuditory Streaming Complexity and Renaissance Mass Ordinary Cycles.\u201d Empirical Musicology Review 15 (3\u20134): 202\u201322.",
+ "Ju, Yaolong, Sylvain Margot, Cory McKay, and Ichiro Fujinaga. 2020b. \u201cFigured Bass Encodings for Bach Chorales in Various Symbolic Formats: A Case Study.\u201d In Music Encoding Conference Proceedings 26-29 May, 2020, 71\u201373. Tufts University, Boston. https://hcommons.org/deposits/item/hc:31943."
],
"2019": [
"Alfaro-Contreras, Mar\u00eda, Jorge Calvo-Zaragoza, and Jos\u00e9 M. I\u00f1esta. 2019. \u201cApproaching End-to-End Optical Music Recognition for Homophonic Scores.\u201d In Pattern Recognition and Image Analysis, edited by Aythami Morales, Julian Fierrez, Jos\u00e9 Salvador S\u00e1nchez, and Bernardete Ribeiro, 147\u201358. Lecture Notes in Computer Science. Springer International Publishing.",
- "Bar\u00f3, Arnau, Pau Riba, Jorge Calvo-Zaragoza, and Alicia Forn\u00e9s. 2019. \u201cFrom Optical Music Recognition to Handwritten Music Recognition: A Baseline.\u201d Pattern Recognition Letters 123 (May):1\u20138. https://doi.org/10.1016/j.patrec.2019.02.029.",
"Calvo-Zaragoza, Jorge, Jose Javier Valero-Mas, and Juan R. Rico-Juan. 2019. \u201cRecognition of Handwritten Music Symbols Using Meta-Features Obtained from Weak Classifiers Based on Nearest Neighbor.\u201d In Proceedings of the 6th International Conference on Pattern Recognition Applications and Methods, 96\u2013104. http://www.scitepress.org/DigitalLibrary/Link.aspx?doi=10.5220/0006120200960104.",
"Calvo-Zaragoza, Jorge, and Antonio-Javier Gallego. 2019. \u201cA Selectional Auto-Encoder Approach for Document Image Binarization.\u201d Pattern Recognition 86 (February):37\u201347. https://doi.org/10.1016/j.patcog.2018.08.011.",
"Cumming, Julie, and Evelyn Tribble. 2019. \u201cDistributed Cognition, Improvisation and the Performing Arts in Early Modern Europe.\u201d In History of Distributed Cognition 2: From Medieval to Renaissance Culture. Vol. 2. Edinburgh, Scotland: University of Edinburgh Press.",
@@ -65,23 +62,21 @@
"N\u00e1poles L\u00f3pez, N\u00e9stor, Claire Arthur, and Ichiro Fujinaga. 2019. \u201cKey-Finding Based on a Hidden Markov Model and Key Profiles.\u201d In Proceedings of the 6th International Workshop on Digital Libraries for Musicology, 33\u201337. DLfM \u201919. The Hague, Netherlands: ACM. https://doi.org/10.1145/3358664.3358675.",
"Pacha, Alexander, Jorge Calvo-Zaragoza, and Jan Haji\u010d Jr. 2019. \u201cLearning Notation Graph Construction for Full-Pipeline Optical Music Recognition.\u201d In Proceedings of the 20th International Society for Music Information Retrieval Conference.",
"Reuse, Timothy de, and Ichiro Fujinaga. 2019a. \u201cPattern Clustering in Monophonic Music by Learning a Non-Linear Embedding from Human Annotations.\u201d In Proceedings of the 20th International Society for Music Information Retrieval Conference, 761\u201368. Delft, Netherlands.",
- "Reuse, Timothy de, and Ichiro Fujinaga. 2019b. \u201cRobust Transcript Alignment on Medieval Chant Manuscripts.\u201d In Proceedings of the 2nd International Workshop on Reading Music Systems. Delft, Netherlands.",
"Reuse, Timothy de. 2019. \u201cA Machine Learning Approach to Pattern Discovery in Symbolic Music.\u201d Master\u2019s Thesis, Montreal, Canada: McGill University.",
"Thomae, Martha E., Julie E. Cumming, and Ichiro Fujinaga. 2019. \u201cThe Mensural Scoring-Up Tool.\u201d In Proceedings of the 6th International Workshop on Digital Libraries for Musicology, 9\u201319. The Hague, Netherlands: ACM. https://doi.org/10.1145/3358664.3358668.",
- "Upham, Finn. 2019. \u201cHUMAN SUBTRACTED: SOCIAL DISTORTION OF MUSICTECHNOLOGY.\u201d In Proceedings of the\u00a0 1 St Workshop on Designing Human-Centric Music\u00a0 Information Research Systems, 23\u201325. Delft, Netherlands. https://sites.google.com/view/designinghuman-centricmir/proceedings."
+ "Upham, Finn. 2019. \u201cHUMAN SUBTRACTED: SOCIAL DISTORTION OF MUSICTECHNOLOGY.\u201d In Proceedings of the\u00a0 1 St Workshop on Designing Human-Centric Music\u00a0 Information Research Systems, 23\u201325. Delft, Netherlands. https://sites.google.com/view/designinghuman-centricmir/proceedings.",
+ "Bar\u00f3, Arnau, Pau Riba, Jorge Calvo-Zaragoza, and Alicia Forn\u00e9s. 2019. \u201cFrom Optical Music Recognition to Handwritten Music Recognition: A Baseline.\u201d Pattern Recognition Letters 123 (May):1\u20138. https://doi.org/10.1016/j.patrec.2019.02.029.",
+ "Reuse, Timothy de, and Ichiro Fujinaga. 2019b. \u201cRobust Transcript Alignment on Medieval Chant Manuscripts.\u201d In Proceedings of the 2nd International Workshop on Reading Music Systems. Delft, Netherlands."
],
"2018": [
"Arthur, Claire, Julie Cumming, and Peter Schubert. 2018a. \u201cAims and Methods for Examining Two-Voice Counterpoint.\u201d In Oxford Handbook of Music and Corpus Studies, edited by Daniel Shanahan, Ashley Burgoyne, and Ian Quinn. Oxford, UK: Oxford University Press.",
- "Arthur, Claire, Julie Cumming, and Peter Schubert. 2018b. \u201cThe Role of Structural Tones in Establishing Mode in Renaissance Two-Part Counterpoint.\u201d In Proceedings of the 15th International Conference on Music Perception and Cognition. Montreal, QC.",
"Bar\u00f3, Arnau, Pau Riba, Jorge Calvo-Zaragoza, and Alicia Forn\u00e9s. 2018. \u201cOptical Music Recognition by Long Short-Term Memory Networks.\u201d In GREC 2017: Graphics Recognition. Current Trends and Evolutions, edited by Alicia Forn\u00e9s and Bart Lamiroy, 81\u201395. Lecture Notes in Computer Science. Springer International Publishing.",
- "Calvo-Zaragoza, J., A. H. Toselli, and E. Vidal. 2018. \u201cProbabilistic Music-Symbol Spotting in Handwritten Scores.\u201d In 2018 16th International Conference on Frontiers in Handwriting Recognition (ICFHR), 558\u201363. https://doi.org/10.1109/ICFHR-2018.2018.00103.",
"Calvo-Zaragoza, Jorge, Francisco J. Castellanos, Gabriel Vigliensoni, and Ichiro Fujinaga. 2018. \u201cDeep Neural Networks for Document Processing of Music Score Images.\u201d Applied Sciences 8 (5): 654. https://doi.org/10.3390/app8050654.",
"Calvo-Zaragoza, Jorge, Jan Haji\u010d, and Alexander Pacha. 2018. \u201cDiscussion Group Summary: Optical Music Recognition.\u201d In GREC 2017: Graphics Recognition. Current Trends and Evolutions, edited by Alicia Forn\u00e9s and Bart Lamiroy, 152\u201357. Lecture Notes in Computer Science. Springer International Publishing.",
"Calvo-Zaragoza, Jorge, and David Rizo. 2018. \u201cCamera-PrIMus: Neural End-to-End Optical Music Recognition on Realistic Monophonic Scores.\u201d In Proceedings of the 19th International Society for Music Information Retrieval Conference, 8. Paris, France.",
"Castellanos, Francisco J., Jorge Calvo-Zaragoza, Gabriel Vigliensoni, and Ichiro Fujinaga. 2018. \u201cDocument Analysis of Music Score Images with Selectional Auto Encoders.\u201d In Proceedings of the 19th International Society for Music Information Retrieval Conference, 256\u201363. Paris, France. http://cloud.simssa.ca/index.php/s/FjJGQ6josKEIWNn.",
"Condit-Schultz, Nat, Yaolong Ju, and Ichiro Fujinaga. 2018. \u201cA Flexible Approach to Automated Harmonic Analysis: Multiple Annotations of Chorales by Bach and Pr\u00e6torius.\u201d In Proceedings of the 19th International Society for Music Information Retrieval Conference, 66\u201373. Paris, France: ISMIR.",
"Cumming, Julie E., Cory McKay, Jonathan Stuchbery, and Ichiro Fujinaga. 2018. \u201cMethodologies for Creating Symbolic Corpora of Western Music before 1600.\u201d In Proceedings of the 19th International Society for Music Information Retrieval Conference, 491\u201398. Paris, France: ISMIR.",
- "Cumming, Julie. 2018. \u201cWhy Should Musicologists Do Digital Humanities?\u201d Troja: Jahrbuch F\u00fcr Renaissancemusik, (Re)-Constructing Renaissance Music: Perspectives from the Digital Humanities and Music Theory, 35\u201346.",
"Desmond, Karen. 2018. Music and the Moderni, 1300-1500: The Ars Nova in Theory and Practice. Cambridge University Press.",
"Haji\u010d Jr., Jan, Marta Kol\u00e1rov\u00e1, Alexander Pacha, and Jorge Calvo-Zaragoza. 2018. \u201cHow Current Optical Music Recognition Systems Are Becoming Useful for Digital Libraries.\u201d In Proceedings of the 5th International Conference on Digital Libraries for Musicology, 57\u201361. DLfM \u201918. New York, USA: ACM. https://doi.org/10.1145/3273024.3273034.",
"Long, Sarah Ann. 2018. \u201cInternational Image Interoperability Framework; Gallica; e-Codices: Virtual Manuscript Library of Switzerland.\u201d Journal of the American Musicological Society 71 (2): 561\u201371.",
@@ -93,7 +88,10 @@
"Shaw, Rebecca. 2018. \u201cDifferentiae in the Cantus Manuscript Database.\u201d In Proceedings of the 6th International Conference on Digital Libraries for Musicology (DLfM19).",
"Sober-Mira, Javier, Jorge Calvo-Zaragoza, David Rizo, and Jos\u00e9 M. I\u00f1esta. 2018. \u201cPen-Based Music Document Transcription with Convolutional Neural Networks.\u201d In 2017 14th IAPR International Conference on Document Analysis and Recognition (ICDAR), edited by Alicia Forn\u00e9s and Bart Lamiroy, 71\u201380. Lecture Notes in Computer Science. Springer International Publishing.",
"Vigliensoni, Gabriel, Jorge Calvo-Zaragoza, and Ichiro Fujinaga. 2018a. \u201cAn Environment for Machine Pedagogy: Learning How to Teach Computers to Read Music.\u201d In Joint Proceedings of the ACM Intelligent User Interface Workshops: Intelligent Music Interfaces for Listening and Creation (MILC). Tokyo, Japan. http://cloud.simssa.ca/index.php/s/bBK9N6gQTpPaKkl.",
- "Vigliensoni, Gabriel, Jorge Calvo-Zaragoza, and Ichiro Fujinaga. 2018b. \u201cDeveloping an Environment for Teaching Computers to Read Music.\u201d In Proceedings of 1st International Workshop on Reading Music Systems. Paris, France. http://cloud.simssa.ca/index.php/s/ImKlwsuLoI099uI."
+ "Calvo-Zaragoza, J., A. H. Toselli, and E. Vidal. 2018. \u201cProbabilistic Music-Symbol Spotting in Handwritten Scores.\u201d In 2018 16th International Conference on Frontiers in Handwriting Recognition (ICFHR), 558\u201363. https://doi.org/10.1109/ICFHR-2018.2018.00103.",
+ "Cumming, Julie. 2018. \u201cWhy Should Musicologists Do Digital Humanities?\u201d Troja: Jahrbuch F\u00fcr Renaissancemusik, (Re)-Constructing Renaissance Music: Perspectives from the Digital Humanities and Music Theory, 35\u201346.",
+ "Vigliensoni, Gabriel, Jorge Calvo-Zaragoza, and Ichiro Fujinaga. 2018b. \u201cDeveloping an Environment for Teaching Computers to Read Music.\u201d In Proceedings of 1st International Workshop on Reading Music Systems. Paris, France. http://cloud.simssa.ca/index.php/s/ImKlwsuLoI099uI.",
+ "Arthur, Claire, Julie Cumming, and Peter Schubert. 2018b. \u201cThe Role of Structural Tones in Establishing Mode in Renaissance Two-Part Counterpoint.\u201d In Proceedings of the 15th International Conference on Music Perception and Cognition. Montreal, QC."
],
"2017": [
"Barone, Michael D., Kurt Dacosta, Gabriel Vigliensoni, and Matthew H. Woolhouse. 2017. \u201cGRAIL: Database Linking Music Metadata Across Artist, Release,and Track.\u201d In Proceedings of the 4th International Workshop on Digital Libraries for Musicology, 49\u201354. Association for Computing Machinery. https://dl.acm.org/doi/10.1145/3144749.3144760.",
@@ -101,21 +99,21 @@
"Calvo-Zaragoza, J., A. H. Toselli, and E. Vidal. 2017. \u201cHandwritten Music Recognition for Mensural Notation: Formulation, Data and Baseline Results.\u201d In 2017 14th IAPR International Conference on Document Analysis and Recognition (ICDAR), 01:1081\u201386. https://doi.org/10.1109/ICDAR.2017.179.",
"Calvo-Zaragoza, Jorge, Antonio Pertusa, and Jose Oncina. 2017. \u201cStaff-Line Detection and Removal Using a Convolutional Neural Network.\u201d Machine Vision and Applications 28 (5): 665\u201374. https://doi.org/10.1007/s00138-017-0844-4.",
"Calvo-Zaragoza, Jorge, Antonio-Javier Gallego, and Antonio Pertusa. 2017. \u201cRecognition of Handwritten Music Symbols with Convolutional Neural Codes.\u201d In 2017 14th IAPR International Conference on Document Analysis and Recognition (ICDAR), 01:691\u201396. https://doi.org/10.1109/ICDAR.2017.118.",
- "Calvo-Zaragoza, Jorge, Gabriel Vigliensoni, and Ichiro Fujinaga. 2017a. \u201cA Machine Learning Framework for the Categorization of Elements in Images of Musical Documents.\u201d In Proceedings of the Third International on Technologies for Music Notation and Representation (TENOR 2017). La Coru\u00f1a, Spain. http://cloud.simssa.ca/index.php/s/NExq8IWkue2IjCH.",
- "Calvo-Zaragoza, Jorge, Gabriel Vigliensoni, and Ichiro Fujinaga. 2017b. \u201cOne-Step Detection of Background, Staff Lines, and Symbols in Medieval Music Manuscripts with Convolutional Neural Networks.\u201d In Proceedings of the International Society for Music Information Retrieval, 724\u201330. Suzhou, China. http://cloud.simssa.ca/index.php/s/JuPGmwlvAP9ckkR.",
- "Calvo-Zaragoza, Jorge, Gabriel Vigliensoni, and Ichiro Fujinaga. 2017c. \u201cPixelwise Binarization of Musical Documents with Convolutional Neural Networks.\u201d In Proceedings of the 15th IAPR International Conference on Machine Vision Applications. Nagoya, Japan.",
- "Calvo-Zaragoza, Jorge, Gabriel Vigliensoni, and Ichiro Fujinaga. 2017d. \u201cPixelwise Classification for Music Document Analysis.\u201d In 2017 Seventh International Conference on Image Processing Theory, Tools and Applications (IPTA), 1\u20136. Montreal, Canada. https://doi.org/10.1109/IPTA.2017.8310134.",
- "Calvo-Zaragoza, Jorge, Gabriel Vigliensoni, and Ichiro Fujinaga. 2017e. \u201cStaff-Line Detection on Grayscale Images with Pixel Classification.\u201d In Pattern Recognition and Image Analysis, edited by Lu\u00eds A. Alexandre, Jos\u00e9 Salvador S\u00e1nchez, and Jo\u00e3o M. F. Rodrigues, 279\u201386. Lecture Notes in Computer Science. Faro, Portugalpixel: Springer International Publishing. http://cloud.simssa.ca/index.php/s/tZswNa5gjwkoatf.",
"Calvo-Zaragoza, Jorge, K\u00e9 Zhang, Zeyad Saleh, Gabriel Vigliensoni, and Ichiro Fujinaga. 2017. \u201cMusic Document Layout Analysis through Machine Learning and Human Feedback.\u201d In 2017 14th IAPR International Conference on Document Analysis and Recognition (ICDAR), 02:23\u201324. Tokyo, Japan. https://doi.org/10.1109/ICDAR.2017.259.",
"Calvo-Zaragoza, Jorge, and Jose Oncina. 2017. \u201cRecognition of Pen-Based Music Notation with Finite-State Machines.\u201d Expert Systems with Applications 72 (April):395\u2013406. https://doi.org/10.1016/j.eswa.2016.10.041.",
- "Cumming, Julie. 2017a. \u201cDu Fay\u2019s Use of Improvisatory Techniques in Resvellies Vous et Faites Chiere Lye.\u201d Edited by Julie Cumming, Jesse Rodin, and Massimiliano Locanto. Composition and Improvisation in Fifteenth-Century Music, a Special Issue of the RATM (Rivista Di Analisi e Teoria Musicale) 17 (2): 3\u201323.",
- "Cumming, Julie. 2017b. \u201cSources and Identity: Composers and Singers in Darnton\u2019s Communications Circuit.\u201d In Sources of Identity: Makers, Owners and Users of Music Sources Before 1600. Turnhout, Belgium: Brepols.",
"Gallego, Antonio-Javier, and Jorge Calvo-Zaragoza. 2017. \u201cStaff-Line Removal with Selectional Auto-Encoders.\u201d Expert Systems with Applications 89 (December):138\u201348. https://doi.org/10.1016/j.eswa.2017.07.002.",
"Lewis, David, Kevin Page, and Andrew Hankinson. 2017. \u201cCapturing Context and Provenance of Musicology Research.\u201d In Proceedings of the Music Encoding Conference (2015-2017), 113\u201318. Tours, France: Music Encoding Initiative.",
"N\u00e1poles L\u00f3pez, N\u00e9stor. 2017. \u201cAutomatic Harmonic Analysis of Classicalstring Quartets from Symbolic Score.\u201d Master\u2019s Thesis, Barcelona, Spain: Universitat Pompeu Fabra.",
"Parada-Cabaleiro, Emilia, Anton Batliner, Alice Baird, and Bj\u00f6rn W Schuller. 2017. \u201cThe SEILS Dataset: Symbolically Encoded Scores in Modern-Early Notation for Computational Musicology.\u201d In Proceedings of the 18th International Society for Music Information Retrieval Conference, 575\u201381. Suzhou, China: ISMIR.",
"Saleh, Zeyad, K\u00e9 Zhang, Jorge Calvo-Zaragoza, Gabriel Vigliensoni, and Ichiro Fujinaga. 2017. \u201cPixel.Js: Web-Based Pixel Classification Correction Platform for Ground Truth Creation.\u201d In Proceedings of the Twelfth IAPR International Workshop on Graphics Recognition. Kyoto, Japan: Springer LNCS.",
- "Vigliensoni, Gabriel, and Ichiro Fujinaga. 2017. \u201cThe Music Listening Histories Dataset.\u201d In Proceedings of the 18th International Society for Music Information Retrieval Conference, 96\u2013102. Suzhou, China. https://doi.org/10.5281/zenodo.1417499."
+ "Vigliensoni, Gabriel, and Ichiro Fujinaga. 2017. \u201cThe Music Listening Histories Dataset.\u201d In Proceedings of the 18th International Society for Music Information Retrieval Conference, 96\u2013102. Suzhou, China. https://doi.org/10.5281/zenodo.1417499.",
+ "Calvo-Zaragoza, Jorge, Gabriel Vigliensoni, and Ichiro Fujinaga. 2017a. \u201cA Machine Learning Framework for the Categorization of Elements in Images of Musical Documents.\u201d In Proceedings of the Third International on Technologies for Music Notation and Representation (TENOR 2017). La Coru\u00f1a, Spain. http://cloud.simssa.ca/index.php/s/NExq8IWkue2IjCH.",
+ "Cumming, Julie. 2017a. \u201cDu Fay\u2019s Use of Improvisatory Techniques in Resvellies Vous et Faites Chiere Lye.\u201d Edited by Julie Cumming, Jesse Rodin, and Massimiliano Locanto. Composition and Improvisation in Fifteenth-Century Music, a Special Issue of the RATM (Rivista Di Analisi e Teoria Musicale) 17 (2): 3\u201323.",
+ "Calvo-Zaragoza, Jorge, Gabriel Vigliensoni, and Ichiro Fujinaga.. \u201cOne-Step Detection of Background, Staff Lines, and Symbols in Medieval Music Manuscripts with Convolutional Neural Networks.\u201d In Proceedings of the International Society for Music Information Retrieval, 724\u201330. Suzhou, China. http://cloud.simssa.ca/index.php/s/JuPGmwlvAP9ckkR.",
+ "Cumming, Julie. 2017b. \u201cSources and Identity: Composers and Singers in Darnton\u2019s Communications Circuit.\u201d In Sources of Identity: Makers, Owners and Users of Music Sources Before 1600. Turnhout, Belgium: Brepols.",
+ "Calvo-Zaragoza, Jorge, Gabriel Vigliensoni, and Ichiro Fujinaga. 2017c. \u201cPixelwise Binarization of Musical Documents with Convolutional Neural Networks.\u201d In Proceedings of the 15th IAPR International Conference on Machine Vision Applications. Nagoya, Japan.",
+ "Calvo-Zaragoza, Jorge, Gabriel Vigliensoni, and Ichiro Fujinaga. 2017d. \u201cPixelwise Classification for Music Document Analysis.\u201d In 2017 Seventh International Conference on Image Processing Theory, Tools and Applications (IPTA), 1\u20136. Montreal, Canada. https://doi.org/10.1109/IPTA.2017.8310134.",
+ "Calvo-Zaragoza, Jorge, Gabriel Vigliensoni, and Ichiro Fujinaga. 2017e. \u201cStaff-Line Detection on Grayscale Images with Pixel Classification.\u201d In Pattern Recognition and Image Analysis, edited by Lu\u00eds A. Alexandre, Jos\u00e9 Salvador S\u00e1nchez, and Jo\u00e3o M. F. Rodrigues, 279\u201386. Lecture Notes in Computer Science. Faro, Portugalpixel: Springer International Publishing. http://cloud.simssa.ca/index.php/s/tZswNa5gjwkoatf."
],
"2016": [
"Bell, Eamonn, and Laurent Pugin. 2016. \u201cApproaches to Handwritten Conductor Annotation Extraction in Musical Scores.\u201d In Proceedings of the 3rd International Workshop on Digital Libraries for Musicology, 33\u201336. DLfM 2016. New York, NY, USA: ACM. https://doi.org/10.1145/2970044.2970053.",
@@ -135,15 +133,15 @@
"2014": [
"Bain, Jennifer, Inga Behrendt, and Katherine Helsen. 2014. \u201cLinienlose Neumen, Neumentrennung und Repr\u00e4sentation von Neumen mit MEI Schema \u2013Herausforderungen in der Arbeit im Optical Neume Recognition Project (ONRP).\u201d In Digitale Rekonstruktionen mittelalterlicher Bibliotheken, edited by Sabine Philippi and Philipp Vanscheidt, 119\u201332. Trierer Beitr\u00e4ge zu den historischen Kulturwissenschaften 12. Wiesbaden: Ludwig Reichert.",
"Cumming, Julie. 2014. \u201cThe Past Is Not Over: Special Collections in the Digital Age.\u201d In Meetings with Books: Symposium on Special Collections in the 21st Century. With a Tribute to Raymond Klibansky and an Illustrated Survey of McGill Library Special Collections, edited by Jillian Tomm and Richard Virr, 109\u201314. Montreal: McGill University Library.",
- "Lacoste, Debra, and Jan Kol\u00e1\u010dek. 2014. \u201cCANTUS for Office and Mass: Building an Online Network of Chant Databases.\u201d In Cantus Planus: Study Group of the International Musicological Society -- Papers Read at the 18th Meeting, Venice, Italy, 2014. Venice, Italy.",
"Pugin, Laurent, and Rodolfo Zitellini. 2014. \u201cVerovio: A Library for Typesetting MEI.\u201d In Proceedings of the Music Encoding Conference (2013-2014). University of Virginia, Charlottesville, VA: Music Encoding Initiative.",
- "Vigliensoni, Gabriel, and Ichiro Fujinaga. 2014. \u201cIdentifying Time Zones in a Large Dataset of Music Listening Logs.\u201d In Proceedings of the International Workshop on Social Media Retrieval and Analysis, 27\u201332. Gold Coast, Australia."
+ "Vigliensoni, Gabriel, and Ichiro Fujinaga. 2014. \u201cIdentifying Time Zones in a Large Dataset of Music Listening Logs.\u201d In Proceedings of the International Workshop on Social Media Retrieval and Analysis, 27\u201332. Gold Coast, Australia.",
+ "Lacoste, Debra, and Jan Kol\u00e1\u010dek. 2014. \u201cCANTUS for Office and Mass: Building an Online Network of Chant Databases.\u201d In Cantus Planus: Study Group of the International Musicological Society -- Papers Read at the 18th Meeting, Venice, Italy, 2014. Venice, Italy."
],
"2013": [
"G\u00f3mez-P\u00e9rez, Asunci\u00f3n, Daniel Vila-Suero, Elena Montiel-Ponsoda, Jorge Gracia, and Guadalupe Aguado-de-Cea. 2013. \u201cGuidelines for Multilingual Linked Data.\u201d In Proceedings of the 3rd International Conference on Web Intelligence, Mining and Semantics, 1\u201312.",
- "Lacoste, Debra. 2013. \u201cCANTUS: A Database for Latin Ecclesiastical Chant - Progress Report (2009).\u201d In Papers Read at the 15th Meeting of the IMS Study Group \u201cCantus Planus\u201d, Dobog\u00f3k\u00c5/Hungary, 2009. Aug. 23-29, 939\u201343. Lions Bay, BC, Canada: The Institute of Medieval Music.",
"Vigliensoni, Gabriel, Gregory Burlet, and Ichiro Fujinaga. 2013. \u201cOptical Measure Recognition in Common Music Notation.\u201d In Proceedings of the International Society for Music Information Retrieval Conference, 125\u201330. Curitiba, Brazil.",
- "Vigliensoni, Gabriel, John Ashley Burgoyne, and Ichiro Fujinaga. 2013. \u201cMusicbrainz for the World: The Chilean Experience.\u201d In Proceedings of the 14th International Society for Music Information Retrieval Conference, 131\u201336. Curitiba, Brazil. https://zenodo.org/record/1417951#.X-rvJtgzYdU."
+ "Vigliensoni, Gabriel, John Ashley Burgoyne, and Ichiro Fujinaga. 2013. \u201cMusicbrainz for the World: The Chilean Experience.\u201d In Proceedings of the 14th International Society for Music Information Retrieval Conference, 131\u201336. Curitiba, Brazil. https://zenodo.org/record/1417951#.X-rvJtgzYdU.",
+ "Lacoste, Debra. 2013. \u201cCANTUS: A Database for Latin Ecclesiastical Chant - Progress Report (2009).\u201d In Papers Read at the 15th Meeting of the IMS Study Group \u201cCantus Planus\u201d, Dobog\u00f3k\u00c5/Hungary, 2009. Aug. 23-29, 939\u201343. Lions Bay, BC, Canada: The Institute of Medieval Music."
],
"2012": [
"Hankinson, Andrew, John Ashley Burgoyne, Gabriel Vigliensoni, Alastair Porter, Jessica Thompson, Wendy Liu, Remi Chiu, and Ichiro Fujinaga. 2012. \u201cDigital Document Image Retrieval Using Optical Music Recognition.\u201d In Proceedings of the Conference of the International Society for Music Information Retrieval. Porto, Portugal.",
diff --git a/pyproject.toml b/pyproject.toml
new file mode 100644
index 0000000..13a4da0
--- /dev/null
+++ b/pyproject.toml
@@ -0,0 +1 @@
+requires = ["poetry-core"]
diff --git a/zotero_export/DDMAL_publications.html b/zotero_export/DDMAL_publications.html
index 30b30eb..bb0b5b0 100644
--- a/zotero_export/DDMAL_publications.html
+++ b/zotero_export/DDMAL_publications.html
@@ -18,7 +18,7 @@
Arthur, Claire, Julie Cumming, and Peter Schubert. 2018a. “Aims and Methods for Examining Two-Voice Counterpoint.” In Oxford Handbook of Music and Corpus Studies, edited by Daniel Shanahan, Ashley Burgoyne, and Ian Quinn. Oxford, UK: Oxford University Press.
- Arthur, Claire, Julie Cumming, and Peter Schubert. 2018b. “The Role of Structural Tones in Establishing Mode in Renaissance Two-Part Counterpoint.” In Proceedings of the 15th International Conference on Music Perception and Cognition. Montreal, QC.
+ ———. 2018b. “The Role of Structural Tones in Establishing Mode in Renaissance Two-Part Counterpoint.” In Proceedings of the 15th International Conference on Music Perception and Cognition. Montreal, QC.
Bain, Jennifer, and Anna de Bakker. 2024. “Traces of Liturgy: Analysing Manuscript Fragments from the Binding of the Riesencodex.” Fragmentology 7:9–51.
@@ -26,7 +26,7 @@
Baró, Arnau, Pau Riba, Jorge Calvo-Zaragoza, and Alicia Fornés. 2018. “Optical Music Recognition by Long Short-Term Memory Networks.” In GREC 2017: Graphics Recognition. Current Trends and Evolutions, edited by Alicia Fornés and Bart Lamiroy, 81–95. Lecture Notes in Computer Science. Springer International Publishing.
- Baró, Arnau, Pau Riba, Jorge Calvo-Zaragoza, and Alicia Fornés. 2019. “From Optical Music Recognition to Handwritten Music Recognition: A Baseline.”
Pattern Recognition Letters 123 (May):1–8.
https://doi.org/10.1016/j.patrec.2019.02.029.
———. 2019. “From Optical Music Recognition to Handwritten Music Recognition: A Baseline.”
Pattern Recognition Letters 123 (May):1–8.
https://doi.org/10.1016/j.patrec.2019.02.029.
Barone, Michael D., Kurt Dacosta, Gabriel Vigliensoni, and Matthew H. Woolhouse. 2017. “GRAIL: Database Linking Music Metadata Across Artist, Release,and Track.” In
Proceedings of the 4th International Workshop on Digital Libraries for Musicology, 49–54. Association for Computing Machinery.
https://dl.acm.org/doi/10.1145/3144749.3144760.
Calvo-Zaragoza, J., A. H. Toselli, and E. Vidal. 2017. “Handwritten Music Recognition for Mensural Notation: Formulation, Data and Baseline Results.” In
2017 14th IAPR International Conference on Document Analysis and Recognition (ICDAR), 01:1081–86.
https://doi.org/10.1109/ICDAR.2017.179.
Calvo-Zaragoza, J., A. H. Toselli, and E. Vidal. 2018. “Probabilistic Music-Symbol Spotting in Handwritten Scores.” In
2018 16th International Conference on Frontiers in Handwriting Recognition (ICFHR), 558–63.
https://doi.org/10.1109/ICFHR-2018.2018.00103.
———. 2018. “Probabilistic Music-Symbol Spotting in Handwritten Scores.” In
2018 16th International Conference on Frontiers in Handwriting Recognition (ICFHR), 558–63.
https://doi.org/10.1109/ICFHR-2018.2018.00103.
Calvo-Zaragoza, Jorge, Francisco J. Castellanos, Gabriel Vigliensoni, and Ichiro Fujinaga. 2018. “Deep Neural Networks for Document Processing of Music Score Images.”
Applied Sciences 8 (5): 654.
https://doi.org/10.3390/app8050654.
Calvo-Zaragoza, Jorge, Gabriel Vigliensoni, and Ichiro Fujinaga. 2016. “Document Analysis for Music Scores via Machine Learning.” In
Proceedings of the 3rd International Workshop on Digital Libraries for Musicology, 37–40. DLfM 2016. New York, NY, USA: ACM.
https://doi.org/10.1145/2970044.2970047.
Calvo-Zaragoza, Jorge, Gabriel Vigliensoni, and Ichiro Fujinaga. 2017a. “A Machine Learning Framework for the Categorization of Elements in Images of Musical Documents.” In
Proceedings of the Third International on Technologies for Music Notation and Representation (TENOR 2017). La Coruña, Spain.
http://cloud.simssa.ca/index.php/s/NExq8IWkue2IjCH.
———. 2017a. “A Machine Learning Framework for the Categorization of Elements in Images of Musical Documents.” In
Proceedings of the Third International on Technologies for Music Notation and Representation (TENOR 2017). La Coruña, Spain.
http://cloud.simssa.ca/index.php/s/NExq8IWkue2IjCH.
Calvo-Zaragoza, Jorge, Gabriel Vigliensoni, and Ichiro Fujinaga. 2017b. “One-Step Detection of Background, Staff Lines, and Symbols in Medieval Music Manuscripts with Convolutional Neural Networks.” In
Proceedings of the International Society for Music Information Retrieval, 724–30. Suzhou, China.
http://cloud.simssa.ca/index.php/s/JuPGmwlvAP9ckkR.
———. 2017b. “One-Step Detection of Background, Staff Lines, and Symbols in Medieval Music Manuscripts with Convolutional Neural Networks.” In
Proceedings of the International Society for Music Information Retrieval, 724–30. Suzhou, China.
http://cloud.simssa.ca/index.php/s/JuPGmwlvAP9ckkR.
Calvo-Zaragoza, Jorge, Gabriel Vigliensoni, and Ichiro Fujinaga. 2017c. “Pixelwise Binarization of Musical Documents with Convolutional Neural Networks.” In Proceedings of the 15th IAPR International Conference on Machine Vision Applications. Nagoya, Japan.
+ ———. 2017c. “Pixelwise Binarization of Musical Documents with Convolutional Neural Networks.” In Proceedings of the 15th IAPR International Conference on Machine Vision Applications. Nagoya, Japan.
- Calvo-Zaragoza, Jorge, Gabriel Vigliensoni, and Ichiro Fujinaga. 2017d. “Pixelwise Classification for Music Document Analysis.” In
2017 Seventh International Conference on Image Processing Theory, Tools and Applications (IPTA), 1–6. Montreal, Canada.
https://doi.org/10.1109/IPTA.2017.8310134.
———. 2017d. “Pixelwise Classification for Music Document Analysis.” In
2017 Seventh International Conference on Image Processing Theory, Tools and Applications (IPTA), 1–6. Montreal, Canada.
https://doi.org/10.1109/IPTA.2017.8310134.
Calvo-Zaragoza, Jorge, Gabriel Vigliensoni, and Ichiro Fujinaga. 2017e. “Staff-Line Detection on Grayscale Images with Pixel Classification.” In
Pattern Recognition and Image Analysis, edited by Luís A. Alexandre, José Salvador Sánchez, and João M. F. Rodrigues, 279–86. Lecture Notes in Computer Science. Faro, Portugalpixel: Springer International Publishing.
http://cloud.simssa.ca/index.php/s/tZswNa5gjwkoatf.
———. 2017e. “Staff-Line Detection on Grayscale Images with Pixel Classification.” In
Pattern Recognition and Image Analysis, edited by Luís A. Alexandre, José Salvador Sánchez, and João M. F. Rodrigues, 279–86. Lecture Notes in Computer Science. Faro, Portugalpixel: Springer International Publishing.
http://cloud.simssa.ca/index.php/s/tZswNa5gjwkoatf.
Calvo-Zaragoza, Jorge, Ké Zhang, Zeyad Saleh, Gabriel Vigliensoni, and Ichiro Fujinaga. 2017. “Music Document Layout Analysis through Machine Learning and Human Feedback.” In
2017 14th IAPR International Conference on Document Analysis and Recognition (ICDAR), 02:23–24. Tokyo, Japan.
https://doi.org/10.1109/ICDAR.2017.259.
Castellanos, Francisco J, Antonio Javier Gallego, and Ichiro Fujinaga. 2023a. “A Few-Shot Neural Approach for Layout Analysis of Music Score Images.” In Acquilino, Alberto, Ninad Puranik, Ichiro Fujinaga, and Gary P Scavone. 2023. “A Dataset and Baseline for Automated Assessment of Timbre Quality in Trumpet Sound.” In Proceedings of the International Society for Music Information Retrieval Conference, 684–91. Milan, Italy., 106–13. Milan, Italy.
- Castellanos, Francisco J, Antonio Javier Gallego, and Ichiro Fujinaga. 2023b. “A Preliminary Study of Few-Shot Learning for Layout Analysis of Music Scores.” In
Proceedings of the 5th International Workshop on Reading Music Systems, edited by Jorge Calvo-Zaragoza, Alexander Pacha, and Elona Shatri, 44–48. Milan, Italy.
https://doi.org/10.48550/arXiv.2311.04091.
———. 2023b. “A Preliminary Study of Few-Shot Learning for Layout Analysis of Music Scores.” In
Proceedings of the 5th International Workshop on Reading Music Systems, edited by Jorge Calvo-Zaragoza, Alexander Pacha, and Elona Shatri, 44–48. Milan, Italy.
https://doi.org/10.48550/arXiv.2311.04091.
Condit-Schultz, Nat, Yaolong Ju, and Ichiro Fujinaga. 2018. “A Flexible Approach to Automated Harmonic Analysis: Multiple Annotations of Chorales by Bach and Prætorius.” In Proceedings of the 19th International Society for Music Information Retrieval Conference, 66–73. Paris, France: ISMIR.
Cumming, Julie. 2014. “The Past Is Not Over: Special Collections in the Digital Age.” In Meetings with Books: Symposium on Special Collections in the 21st Century. With a Tribute to Raymond Klibansky and an Illustrated Survey of McGill Library Special Collections, edited by Jillian Tomm and Richard Virr, 109–14. Montreal: McGill University Library.
- Cumming, Julie. 2017a. “Du Fay’s Use of Improvisatory Techniques in Resvellies Vous et Faites Chiere Lye.” Edited by Julie Cumming, Jesse Rodin, and Massimiliano Locanto. Composition and Improvisation in Fifteenth-Century Music, a Special Issue of the RATM (Rivista Di Analisi e Teoria Musicale) 17 (2): 3–23.
+ ———. 2017a. “Du Fay’s Use of Improvisatory Techniques in Resvellies Vous et Faites Chiere Lye.” Edited by Julie Cumming, Jesse Rodin, and Massimiliano Locanto. Composition and Improvisation in Fifteenth-Century Music, a Special Issue of the RATM (Rivista Di Analisi e Teoria Musicale) 17 (2): 3–23.
- Cumming, Julie. 2017b. “Sources and Identity: Composers and Singers in Darnton’s Communications Circuit.” In Sources of Identity: Makers, Owners and Users of Music Sources Before 1600. Turnhout, Belgium: Brepols.
+ ———. 2017b. “Sources and Identity: Composers and Singers in Darnton’s Communications Circuit.” In Sources of Identity: Makers, Owners and Users of Music Sources Before 1600. Turnhout, Belgium: Brepols.
- Cumming, Julie. 2018. “Why Should Musicologists Do Digital Humanities?” Troja: Jahrbuch Für Renaissancemusik, (Re)-Constructing Renaissance Music: Perspectives from the Digital Humanities and Music Theory, 35–46.
+ ———. 2018. “Why Should Musicologists Do Digital Humanities?” Troja: Jahrbuch Für Renaissancemusik, (Re)-Constructing Renaissance Music: Perspectives from the Digital Humanities and Music Theory, 35–46.
Cumming, Julie, and Zoey Cochran. 2019. “The Questione Della Musica: Revisiting the Origins of the Italian Madrigal.” Presented at the Medieval and Renaissance Music Conference, Basel, Switzerland, July 4.
@@ -126,12 +126,12 @@
Fujinaga, Ichiro, and Gabriel Vigliensoni. 2019. “The Art of Teaching Computers: The SIMSSA Optical Music Recognition Workflow System.” In
Proceedings of the 27th European Signal Processing Conference, 330–34. A Coruña, Spain.
https://doi.org/10.23919/EUSIPCO.2019.8902658.
Fujinaga, Ichiro, and Gabriel Vigliensoni. 2023. “Optical Music Recognition Workflow for Medieval Music Manuscripts.” In
Proceedings of the 5th International Workshop on Reading Music Systems, edited by Jorge Calvo-Zaragoza, Alexander Pacha, and Elona Shatri, 4–6. Milan, Italy.
https://doi.org/10.48550/arXiv.2311.04091.
———. 2023. “Optical Music Recognition Workflow for Medieval Music Manuscripts.” In
Proceedings of the 5th International Workshop on Reading Music Systems, edited by Jorge Calvo-Zaragoza, Alexander Pacha, and Elona Shatri, 4–6. Milan, Italy.
https://doi.org/10.48550/arXiv.2311.04091.
Gallego, Antonio-Javier, and Jorge Calvo-Zaragoza. 2017. “Staff-Line Removal with Selectional Auto-Encoders.”
Expert Systems with Applications 89 (December):138–48.
https://doi.org/10.1016/j.eswa.2017.07.002.
Geneviève Gates-Panneton. n.d. “Salzinnes and Digital Tools.”
-
+ Geneviève Gates-Panneton. 2024. “Salzinnes and Digital Tools.” Journal of the Alamire Foundation, Forthcoming.
+
Gómez-Pérez, Asunción, Daniel Vila-Suero, Elena Montiel-Ponsoda, Jorge Gracia, and Guadalupe Aguado-de-Cea. 2013. “Guidelines for Multilingual Linked Data.” In Proceedings of the 3rd International Conference on Web Intelligence, Mining and Semantics, 1–12.
Gover, Matan, and Ichiro Fujinaga. 2019. “A Notation-Based Query Language for Searching in Symbolic Music.” In Proceedings of the 6th International Workshop on Digital Libraries for Musicology, 79–83. The Hague, Netherlands: ACM.
@@ -150,7 +150,7 @@
Ichiro Fujinaga, Anna de Bakker, Andrew Hankinson, Dylan Hillerbrand, and Laurent Pugin. 2024a. “LinkedNeumes: The Making of Cantus Ultimus.” In . Granada, Spain.
- Ichiro Fujinaga, Anna de Bakker, Andrew Hankinson, Dylan Hillerbrand, and Laurent Pugin. 2024b. “Using Optical Music Recognition in Search of Early European Music.” In
Actes Des Journées d’Informatique Musicale, 257–63. Marseille, France.
https://cloud.prism.cnrs.fr/index.php/s/8aX4YaDXArst2xQ.
———. 2024b. “Using Optical Music Recognition in Search of Early European Music.” In
Actes Des Journées d’Informatique Musicale, 257–63. Marseille, France.
https://cloud.prism.cnrs.fr/index.php/s/8aX4YaDXArst2xQ.
Ju, Yaolong, Samuel Howes, Cory McKay, Nathaniel Condit-Schultz, Jorge Calvo-Zaragoza, and Ichiro Fujinaga. 2019. “An Interactive Workflow for Generating Chord Labels for Homorhythmic Music in Symbolic Formats.” In Proceedings of the 20th International Society for Music Information Retrieval Conference, 862–69. Delft, Netherlands.
@@ -158,15 +158,15 @@
Ju, Yaolong, Sylvain Margot, Cory McKay, and Ichiro Fujinaga. 2020a. “Automatic Chord Labelling: A Figured Bass Approach.” In
7th International Conference on Digital Libraries for Musicology, 27–31. DLfM 2020. New York, NY: Association for Computing Machinery.
https://doi.org/10.1145/3424911.3425513.
Ju, Yaolong, Sylvain Margot, Cory McKay, and Ichiro Fujinaga. 2020b. “Figured Bass Encodings for Bach Chorales in Various Symbolic Formats: A Case Study.” In
Music Encoding Conference Proceedings 26-29 May, 2020, 71–73. Tufts University, Boston.
https://hcommons.org/deposits/item/hc:31943.
———. 2020b. “Figured Bass Encodings for Bach Chorales in Various Symbolic Formats: A Case Study.” In
Music Encoding Conference Proceedings 26-29 May, 2020, 71–73. Tufts University, Boston.
https://hcommons.org/deposits/item/hc:31943.
Lacoste, Debra. 2011. “The Cantus Database: Mining for Medieval Chant Traditions.” In Digital Medievalist. Vol. 7. Barnard College.
- Lacoste, Debra. 2013. “CANTUS: A Database for Latin Ecclesiastical Chant - Progress Report (2009).” In Papers Read at the 15th Meeting of the IMS Study Group “Cantus Planus”, DobogókÅ/Hungary, 2009. Aug. 23-29, 939–43. Lions Bay, BC, Canada: The Institute of Medieval Music.
+ ———. 2013. “CANTUS: A Database for Latin Ecclesiastical Chant - Progress Report (2009).” In Papers Read at the 15th Meeting of the IMS Study Group “Cantus Planus”, DobogókÅ/Hungary, 2009. Aug. 23-29, 939–43. Lions Bay, BC, Canada: The Institute of Medieval Music.
Lacoste, Debra, and Jan Koláček. 2012. “Renewal, Revival, Rejuvenation: A New Vision for the Cantus Database.” In Cantus Planus: Study Group of the International Musicological Society - Papers Read at the 16th Meeting, Vienna, Austria, 2011, 202–9. Vienna: Verlag Brüder Hollinek.
- Lacoste, Debra, and Jan Koláček. 2014. “CANTUS for Office and Mass: Building an Online Network of Chant Databases.” In Cantus Planus: Study Group of the International Musicological Society -- Papers Read at the 18th Meeting, Venice, Italy, 2014. Venice, Italy.
+ ———. 2014. “CANTUS for Office and Mass: Building an Online Network of Chant Databases.” In Cantus Planus: Study Group of the International Musicological Society -- Papers Read at the 18th Meeting, Venice, Italy, 2014. Venice, Italy.
Lacoste, Debra, and Barbara Swanson. 2016. “Chants That Defy Classification: The Implications of Categorization in the Cantus Database.” In Proceedings of the Music Encoding Conference (2015-2017), 73–78. Montreal, QC: Music Encoding Initiative.
@@ -178,7 +178,7 @@
McKay, Cory, Julie Cumming, and Ichiro Fujinaga. 2018. “jSymbolic 2.2: Extracting Features from Symbolic Music for Use in Musicological and MIR Research.” In Proceedings of the 19th International Society for Music Information Retrieval Conference, 348–54. Paris, France: ISMIR.
- McKay, Cory, Julie Cumming, and Ichiro Fujinaga. 2023. “Rhythmic, Melodic and Vertical N-Gram Features as a Means of Studying Symbolic Music Computationally.” In
Annual International Conference of the Alliance of Digital Humanities, edited by Anne Baillot, Toma Tasovac, Walter Scholger, and Georg Vogeler, 187–88. Graz, Austria.
https://doi.org/10.5281/ZENODO.8107739.
———. 2023. “Rhythmic, Melodic and Vertical N-Gram Features as a Means of Studying Symbolic Music Computationally.” In
Annual International Conference of the Alliance of Digital Humanities, edited by Anne Baillot, Toma Tasovac, Walter Scholger, and Georg Vogeler, 187–88. Graz, Austria.
https://doi.org/10.5281/ZENODO.8107739.
Nápoles López, Néstor. 2017. “Automatic Harmonic Analysis of Classicalstring Quartets from Symbolic Score.” Master’s Thesis, Barcelona, Spain: Universitat Pompeu Fabra.
@@ -208,12 +208,14 @@
Reuse, Timothy de, and Ichiro Fujinaga. 2019a. “Pattern Clustering in Monophonic Music by Learning a Non-Linear Embedding from Human Annotations.” In Proceedings of the 20th International Society for Music Information Retrieval Conference, 761–68. Delft, Netherlands.
- Reuse, Timothy de, and Ichiro Fujinaga. 2019b. “Robust Transcript Alignment on Medieval Chant Manuscripts.” In Proceedings of the 2nd International Workshop on Reading Music Systems. Delft, Netherlands.
+ ———. 2019b. “Robust Transcript Alignment on Medieval Chant Manuscripts.” In Proceedings of the 2nd International Workshop on Reading Music Systems. Delft, Netherlands.
Rizo, David, Jorge Calvo-Zaragoza, and José M. Iñesta. 2018. “MuRET: A Music Recognition, Encoding, and Transcription Tool.” In
Proceedings of the 5th International Conference on Digital Libraries for Musicology, 52–56. DLfM ’18. New York, NY, USA: ACM.
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Román, Miguel A., Antonio Pertusa, and Jorge Calvo-Zaragoza. 2018. “An End-to-End Framework for Audio-to-Score Music Transcription on Monophonic Excerpts.” In Proceedings of the 19th International Society for Music Information Retrieval Conference. Paris, France.
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